Rise of the Digital Consiglieres: Corporate Structure in the Innovation Economy

After spending over two years working across the brands of Viacom on the latest trends and insights surrounding social media and Social TV, I am on the job hunt for the first time in a while. In conversations with present and potential peers, friends, mentors and managers I am often asked a typical question along the lines of “so what do you think we should do in our company?” I find myself not responding with digital strategy ideas but rather a rant about corporate silos, misaligned reward structures, turf battles and the organizational structure overall.

The key bottleneck to growth of several large companies formed in the 20th century is their org structure. They’re leaving money on the table, not maximizing the potential of their resources, brand and intellectual property as key cultural-digital trends continue disrupting old ways of extracting profit from their core business (whatever the core business might be).

This is because the way many companies think of the “digital revolution” (to put it in as generic a term as possible) is via an org structure from at least 15 years ago. When the Internet was first coming into its own, companies knew they needed to build “digital” teams. This usually meant building websites and then mobile apps.

These “digital” teams were created away from the core business and are seen as marketing vehicles for that core business (many also report into heads of marketing). The money invested, the value extracted and the impact overall of these “digital” teams is usually small compared to the core business.

The problem is that these days its clear that the potential for “digital” to inform, infuse and impact the core business is much greater than it was last century and even last decade. The way society thinks of and uses the Internet and social media, the evolution of hardware, bandwidth speeds, storage space and so many more factors are affecting our culture and economy in massive ways. Strategies to understand and capitalize on these fast-changing trends can inform so much more than just marketing.

The typical corporate structure, created under a different understanding of “digital,” is very hard to shake up. These teams are run by senior executives whose career paths were charted by building scalable websites and associated technologies. Many (not all) are “web 1.0” executives in a “social 3.0” world. They know how to keep servers online and the web development process smooth. Justifying the continued existence of their teams and budgets, these executives survive by regularly redesigning sites, launching new apps and widgets and reporting to superiors on pageviews, ad inventory and increases in followers/likers.

Most of the people overseeing “old world” senior digital executives aren’t savvy enough about cultural-digital trends to ask the tough questions that need to be asked. The questions they should be asking have less and less to do with those regular reports on pageviews and likes. They should be asking larger-scale questions and beginning to plan for the fundamental shifts of resources and processes necessary to align corporate plans and the core business for capitalizing on the true potential of the innovation economy.

The impact and potential impact of current trends on the core business of large companies born in the 20th century require analysis by people outside of the current corporate structure and especially outside of the current “digital teams.” I’m advocating for a new role of “Digital Consigliere” to help senior-most, non-digital executives, investors and board members understand, interpret and act upon what they should be asking and what they’re hearing.

From my experience at large media companies, I think we’re already seeing the birth of The Great Storytelling Revolution but strongly believe these trends have weight across industries. These were some of the key ideas that informed a think tank gathering I convened two months ago and summarized in The Story of The St0ry.

Within a few years we’ll find it quaint that there used to be separate “digital teams” who were responsible for “doing digital.” There will be a much tighter integration between digital natives and non-traditionally-digital teams responsible for the core business. Insights from the digital revolution will force a shift of silo and reward structures, as efforts will be aligned in ways that many current structures simply don’t empower. This is obvious within digital-first companies and start-ups but will become just as obvious to large, 20th century-born companies as well.

Finally throwing out my first computer, purchased in 1992!!! Check out these stats!

Finally throwing out my first computer, purchased in 1992!!! Check out these stats!

The Story of The St0ry

After many months of planning, my brainchild, The St0ry, came to life on January 5th in the overwhelming Real World Suite of the Hard Rock in Las Vegas. The single greatest achievement, the coolest part of the gathering, was bringing 30 absolutely fascinating people together in one room, for a shared experience and experiment.

The key theme was everyone’s passion for storytelling and the increasing importance of storytelling to everything. The language of storytelling is permeating more and more fields these days, as people begin to understand the true potential of digital and social media to impact our society. Every participant came with their own unique take on how our culture is evolving, the role technology plays in that evolution and how people, companies, organizations and governments should understand and evolve themselves given these trends.

image

From some of my prepared remarks, meant to kick off the conversations:

…I’ll leave it to all of you to interpret words like disruption, innovation, and social for yourselves. Our gathering isn’t about getting more Facebook likes or how much white space to include on your website. Our gathering is about meditating over the fact that we now live in a world with Facebook and Twitter, with Tumblr and YouTube, with iPhone and Tivo, with Zipcar and Kahn Academy, with MakerBot and driverless cars.

What does that mean? How does that impact the way we communicate, how does it impact the messages, feelings and stories capable of being communicated? How do we promote businesses, rally for social causes, run for public office?

How are the chefs, journalists, academics, artists and activists of 2013 different from those of 1980, 1880 or 80? And, not less importantly, how are they exactly the same?

Getting exposed to the insights and opinions of those doing similar things but from different fields was a key selling point. We had published authors, Emmy winners, C-level executives, artists, social activists, high tech folks and a star chef. Each committed to staying offline, maintaining confidentiality and offering their true selves to each other.

Adding to the amazing mix of ideas and passions were three guest catalysts - Eliza Dushku, Kevin Smith and Ross Martin.

image

How?

Through very generous grants from the Schusterman Foundation and Taglit-Birthright Israel, I had the budget to cover all expenses and arrange for a top-quality gathering. Given our intense, fast-paced, virtual, hyper-connected yet strangely disconnected world, Lynn Schusterman’s vision is that nothing replaces the power of in-person gatherings. She’s put her money where her mouth is and has funded amazing connection points for all sorts of people - and not just in the non-profit space. The St0ry follows directly from her vision of the value of highly-crafted, intense, offline, real-world gatherings. I encourage everyone to learn more about the ROI Community, which is how The St0ry was born.

What?

In the run-up to Vegas I was intentionally vague about what would actually happen. I worked with the team from the Center for Leadership Initiatives, Yoni Gordis and Beth Glick, to craft a very specific agenda in order to create an intentional flow to the 2.5 days we had together. Throughout the days there were group-wide conversations, 10-person sub-groups and even smaller “pod” groups.

The first evening was focused on shmoozing and getting to know each other. I think the Real World Suite helped set a cool tone and the open bar certainly helped the socializing. Among other things, every person was invited to share a “playlist of me” that represented their thinking, interests, etc.

The next day we got down to business in the Vinyl space at the Hard Rock (their small concert venue). The day was meant to catalyze lots of ideas, insights, brainstorms and more. We accomplished this through guided conversation topics, an amazing workshop on creativity and misunderstanding with Ross Martin of Viacom’s Scratch group and then several hours of group sessions with Ross, Kevin and Eliza.

Highly recommended TED talk by Ross on misunderstanding:

Each of our three special guests represented a different “lens” on our main theme. Kevin spoke passionately and vividly about the evolution of creativity, new formats of expression, new ways of distributing and monetizing content. Eliza shared very eloquently how she uses her celebrity to champion the non-profit causes she cares about, how she embraces new tools for their promotion (CrowdRise, etc.) and how she tries to get specific causes the attention they deserve. Ross clued everyone in on the amazing impact of millennials on traditional business models, pointing to the work his group does with GM, among other clients.

After more intimate sessions, where participants were able to delve deeper into each lens with each guest catalyst, we took another group pic:

image

Our final day together was far less structured. The idea was to have all-day workshopping, where each person could propose a topic, pitch, problem, etc. for further input and expert consultation from the other 29 people. If the first full day was about embracing misunderstanding, generating lots of ideas and overwhelming the senses, the second full day was a chance to let each participant delve deeper into anything she or he wanted. We insured there was enough time to seriously consider how our time together could provide specific, impactful outcomes instead of just fun conversations.

After several rounds of workshopping, in various smaller groupings, every participant got 90 seconds on stage to give their own min-TED talk on their idea and its evolution (or whatever else came to mind).

We ended with a huge zoom-out, inviting groups of 5-7 people to share - using whatever medium or art form they wanted - a vision for “the story of our times.”

I’m intentionally leaving out lots of details because what happened in Vegas will stay in Vegas. It was a magical time, where people put away their devices and egos, didn’t have to play to an audience, got away from their responsibilities and engrossed themselves in the unique opportunity of being around 29 other truly interesting, accomplished professionals.

Graphic facilitation:

One of the coolest parts of the gathering was having a real-time graphic facilitator. Sophia, from Graphic Footprints, was able to capture the ideas being generated as they were discussed. Its an amazing talent and the graphic boards that came out were stunning. Here’s a sample, from one of our sessions:

image

What now?

I truly believe the first incarnation of The St0ry was an amazing success. My primary goal was creating new bonds between a unique group of innovators and that certainly happened. I am sure several collaborations will come out of the gathering. I’m trying to figure out the best way to recreate the magic that happened, increase its scope and impact, especially as I continue exploring the next chapter of my career (since leaving Viacom).

Stay tuned!!!

Tags: TheSt0ry

Jews of the pre-American Georgia represent! (at Congregation Mickve Israel)

Jews of the pre-American Georgia represent! (at Congregation Mickve Israel)

My Big Work-Life Update

After over two years working on amazing, forward thinking projects, across all brands and levels of Viacom, its time for me to move on. I don’t yet know what the next full-time adventure in my career will be, but I couldn’t be more excited for what 2013 has in store.

Its been an amazing time, working at the nexus of such fast-moving trends in Social TV, social media and digital strategy overall. Within Viacom I served as a thought-leader on ever-changing trends and a facilitator, working across silos and levels to connect lots of dots, launch lots of pilots, arrange enterprise-wide deals and whatever else I could to insure we maximized our potential.

image
My famous wall of case studies in my office at Viacom about Social TV

Among external highlights, I’ve been a regular speaker and panelist at conferences about the future of TV, a guest blogger for LostRemote (the leading blog on Social TV), a subject for the book on Social TV, a member of the ‘top ten social media mavens in the media industry,’ and a resource for bleeding edge startups as they tried making the right connections across the complex landscape of such a large media company. I’ve built amazing friendships and professional relationships with so many people. No doubt these will continue and come into play wherever I end up next.

As far as what’s next, in my immediate future, the wife and I are embarking tomorrow on an amazing journey through America’s south. You can follow along as we #ShwirtzTheSouth (www.ShwirtzTheSouth.com)! The road trip spans from Savannah, Georgia to Las Vegas, Nevada, where I’ll be organizing an event I’m really excited about right before CES. Just to be clear, this event is not affiliated with Viacom.

An all-expense-paid, closed-door gathering that will span 2.5 days, The St0ry (www.TheSt0ry.com) brings together 30 of the brightest, most innovative minds, to discuss and strategize the future of storytelling and digital strategy. From C-level executives of hot startups to PhDs, Emmy-winners, published authors, film makers, artists, activists and managers of really successful YouTube content, this will be a one-of-a-kind event. I’ve also recruited Kevin Smith and Eliza Dushku to join the group as “guest catalysts.” This recent blog post best describes my inspiration for the event: The Great Storytelling Revolution.

That’s about all for now. Big life changes! Lots of excitement, lots of opportunities and I’m going to take my time deciding on next steps. If you have something interesting to share, don’t hesitate!

The Great Storytelling Revolution

As someone who’s always worked in the Internet space, I am noticing a new trend – the use of the language of storytelling to describe more and more of what we do. From product design to marketing, social media to corporate strategy, the themes of storytelling are becoming more and more apparent. Storytelling is as old as time (if there was a time before storytelling did it really exist?) but now its mark is appearing in the world of Digital and affecting much more than ever expected.

After reading this you’ll undoubtedly start noticing it too. Mashable announces a new homepage design that includes “storytelling units.” Story Worldwide launches as a ‘post-advertising’ agency focused on storytelling and making the point that “brands are competing with filmmakers, writers and entertainers, not other brands.” The news app startup Circa, getting so much buzz, focuses on creating “stories, not summaries.” A whole new offline, retail shopping experience debuts in New York named Story.

Just today there was press about Buzzfeed’s success, which is predicated on not displaying a single banner ad. They have amazingly talented people working with advertisers to figure out organic, storified ways of communicating their message into the fabric of the site.

The list really goes on and on and I promise you’ll start to notice it too, if you haven’t already.

I have a theory for why this is happening. We all know and talk about how social media is an engagement platform, not to be confused with traditional, overt marketing platforms. My theory is that we’re just starting to understand what that really means. Engagement requires a human touch, frailty, honesty, a soul. Stories are the best conveyors for that and ‘storytelling’ is a much more powerful iteration of ‘engagement.’ The better we become at storytelling, the more successful we’ll be.

From parody Twitter accounts to supercut videos, TED talks to the latest meme of the day (check out @SeinfeldToday) and so much more, we live in amazingly creative times, defined by a renaissance of storytelling that empowers altogether new tools to craft stories, new platforms to convey them and new ways to engage with them (and each other).

Technologies such as social and digital media need to be understood for their storytelling potential, not as technological ends in their own right. In an attempt to avoid using buzzwords, the language of storytelling has taken over how I describe what I do, what I think others should do and why I’m so excited to be in the Digital field (which is the fastest-growing storytelling medium in the history of the world). Any company or person not seriously pondering how to understand and relate to these trends is in danger of being left behind.

This is the key reason I decided to name my pre-CES gathering of 30 mavens The St0ry and it’s the inspiration for what I know will be a vibrant, passionate brainstorm over our several days together.

Will storytelling take social TV’s center stage in 2013?

As social TV continues to evolve, with more start-ups, more consolidation and broader impact on our industry, it seems appropriate to take stock of 2012 and try to foresee what 2013 has in store for the hottest buzzword in the media industry.

The easiest way to understand social TV in 2012 is as a technology and marketing vehicle. Digital marketing and digital product teams at media companies spent 2012 building apps, connecting to APIs and starting to understand metrics involving use of social by our audiences

On the product side, as an industry, we tackled questions like “how do we let people vote via Twitter?” and “do we need ACR solutions or should we not encourage on-demand consumption?” Perhaps most related to the bottom-line, we started figuring out that TV Everywhere is a major demand that needs to be supported.

On the digital marketing side, Twitter remained the de facto horizontal second screen experience. No “killer app” for social TV came close. We figured out the role of GetGlue, Viggle, IntoNow and others, while waiting for Facebook to make a bolder move in TV (we’re still waiting!) More broadly, we saw Pinterest, Instragram and Viddy become extremely important. Finally, we were excited to see Tumblr launch an ad product and work on discovery, justifying increased resources dedicated to Tumblr engagement.

Regarding the above, 2013 will see us evaluate the impact of Zeebox’s major US partnerships (that include heavy on-air promotion, unlike any other player in the field). We’ll continue to anxiously await Facebook’s TV strategy, while keeping tabs on the new Viggle-GetGlue merger. The biggest highlight will be TV Everywhere.

But there’s something even bigger that 2013 has in store; a new understanding that has the potential to overshadow other trends. It may take until the second or even third quarter, but eventually industry executives will start to think of social TV as much more than a technology or a marketing/distribution platform.

The big win, the ultimate expression and promise of social TV, is the understanding of digital and social media as storytelling media. TV’s best expression isn’t as a marketing tool for radio and social media’s best expression isn’t as a marketing tool for TV.

When conversations of social TV originate within the departments of TV executives, we’ll know we have arrived. Just as they don’t rely on their “digital executive” counterparts to tell them which cameras to use, or which editing software to use (even though both the cameras and the software are digital), so too will they take a much stronger stance in social strategy.

A key project to keep tabs on is Syfy’s Defiance. A massive investment and over two years of work brings us this new show and simultaneous online role-playing game (created by Trion Worlds) that will launch in April, 2013. More so than any other announced project, Defiance holds the best hope for showing the true power of convergence.

This switch in mind-set, namely the evolution from technology and marketing to storytelling, is a driving force behind my latest project, The St0ry. For 2.5 days before CES, in January, 2013, I’m assembling 30 innovative, fascinating people, behind closed doors, for an off-the-record discussion and brainstorm about the evolution of digital trends and the elevated stature of storytelling in what we all do. Although the event is a private one, I’m confident there will be several outcomes and conclusions that we’ll publicize.

Will social TV storytelling take center stage in 2013 as producers struggle to do more with less? Big bets like Defiance will be on everyone’s radar in 2013, so stay tuned…

-reblogged from my posting to LostRemote.com

Kevin Smith Shout-Out of The St0ry

Excitement is building for The St0ry. We’re just a few weeks away now! I can’t wait to kick off the event, after so much hard work over several months. Its going to be a wonderful collection of innovative people, including:

Tags: TheSt0ry

Social TV: How Viacom is transforming audience engagement

Social was a term on the tip of every media and marketing tongue in 2012, and it’s poised to stay there in 2013. Social media has permeated so much of what people and companies do. Within Viacom, it’s informed and evolved how we market our content and how we connect with our audience. It’s introduced new revenue streams and challenged old ones. Social is also starting to impact the very nature of the content we create, even melding with our traditional medium of television to give us an entirely new space to play in – Social TV.

At Viacom, we can no longer afford to think in terms of TV in cycles or seasons – the rhythms that have dominated the television industry for most of its existence have been replaced. Social media gives us a permanently open line of communication with the audience. Indeed, it’s forcing a redefinition of our relationship to our audience. How they consume our content, what they do with it, how it’s used as the fuel in their social conversations are all key topics we spend a lot of time thinking about.

This trend also necessarily begins to change our relationships with other companies, specifically those in the start-up ecosystem. The rate of change in the social TV landscape is extreme. As a result, we talk to start-ups, entrepreneurs and vendors small and large on an ongoing basis. Very few are turned away. It’s invaluable to hear the perspective of people on the front lines, working to empower our audience with new tools, new ways to create, share and even monetize their passions.

Our challenge is then to translate those conversations and insights into tangible pilots. Only in this way can we truly learn, understand the impact and evaluate deeper partnerships. IntoNow, for example, launched in early 2011 as a new player in the Social TV space. MTV was perhaps the first company to pilot their system, with a great contest and integration around Jersey Shore. Just a few weeks later, Yahoo! acquired IntoNow.

That sort of quick testing, early analysis and keen eye for partnering with stand-out startups is becoming more and more critical. Not all bets pay out, but we, and others in our industry, can’t afford to sit and wait.

We also recently entered a partnership with Zeebox, a successful Social TV company from England that launched in the U.S. two months ago with major partnerships from NBCU and Viacom. We believe Zeebox is fundamentally different from earlier players in the space and are working across the organization to maximize users’ experience when interacting with our shows on their platform. New players, technologies and ideas are entering the social TV marketplace at a breakneck pace. And, if we, as a content creator, only look inward for social innovation, we’ll fail.

We continue searching for the best entrepreneurs to work with and that’s why we’re excited to be a part of Mondelēz International’s Mobile Futures program. Companies like Mondelēz International are spending large amounts of money on traditional TV ads, and with the addition of Social TV they are getting more bang for their buck as it extends reach and drives further engagement – in fact, research has shown that connecting digital extensions to TV has been proven to double television ROI. Like Viacom, Mondelēz International recognizes that cross-screen integration is quickly on its way to becoming the most powerful strategy available to brand marketers and giving new meaning to the term “connected experience.”

-reblogged from my posting to the Mobile Futures blog

Tags: socialtv

Subscribe!

My top five picks for emails that I personally subscribe to and read in full daily (in no particular order):

  1. http://www.iwantmedia.com/
  2. http://www.cynopsis.com/editions/digital/
  3. http://www.startwithwhy.com
  4. http://www.tvweek.com/
  5. http://nextdraft.com/

You won’t be disappointed! Please share in the comments any other top tips for emails that you actually read in full every single time.